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Welcome to Espace des Arts
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Welcome to
the permanent exhibition tour
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Architectural project by Marcelo Mendonça
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CAU BEZERRA PRANACURA
LEO BARRETO PHOTO
ALEXANDRE FERNANDES
SULA DANOWSKI
ARTMOTIV
FRANJO STUDIO
KARINA ADES
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CHRISTINA OITICICA
TXATXU PATAXO
SERGIO ZALIS
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DICHOTOMIE
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HERICA MARMO
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MARCELO MENDONCA
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STUDIO LUPA
STAFF KOSPOR
JOSE FERREIRA PEINTRE
LAKOR ELETRICITE
DECORA
CELCIUS
EVOLUTIONPUB
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The Art Space of the Paulo Coelho and Christina Oiticica Foundation is a cultural manifestation environment located at 26 Chemin du Velours, Geneva. The space hosts temporary exhibitions, book readings, art workshops, and literary activities, aiming to promote artistic and cultural expression.
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Christina Oiticica
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Sergio Zalis
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Txatxu Pataxo
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Christina Oiticica/Txatxu Pataxo
AÑÁ /ARARA/MACAW


• 100x100 cm
• Digital printing on plexiglass
• 2022
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Christina Oiticica/Txatxu Pataxo
AÑÁ /ARARA/MACAW


• 100x100 cm
• Painting technique on canvas
• Geneva/Porto do Boi indigenous reserve
• 2022
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Christina Oiticica/Txatxu Pataxo
HAMPÁGN /SAPO/FROG


• 100x100 cm
• Digital printing on plexiglass
• 2022
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Christina Oiticica/Txatxu Pataxo
HAMPÁGN /SAPO/FROG


• 100x100 cm
• Painting technique on canvas
• Geneva/Porto do Boi indigenous reserve
• 2022
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Christina Oiticica/Txatxu Pataxo
HÃMÃGAY /ONCA PINTADA/JAGUAR


• 100x100 cm
• Digital printing on plexiglass
• 2022
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Christina Oiticica/Txatxu Pataxo
HÃMÃGAY /ONCA PINTADA/JAGUAR


• 100x100 cm
• Painting technique on canvas
• Geneva/Porto do Boi indigenous reserve
• 2022
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Christina Oiticica/Txatxu Pataxo
IPAKÉY /BORBOLETA/BUTTERFLY


• 100x100 cm
• Digital printing on plexiglass
• 2022
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Christina Oiticica/Txatxu Pataxo
IPAKÉY /BORBOLETA/BUTTERFLY


• 100x100 cm
• Painting technique on canvas
• Geneva/Porto do Boi indigenous reserve
• 2022
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Christina Oiticica/Txatxu Pataxo
KAYÑÃDURA /COBRA/SNAKE


• 100x100 cm
• Digital printing on plexiglass
• 2022
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Christina Oiticica/Txatxu Pataxo
KAYÑÃDURA /COBRA/SNAKE


• 100x100 cm
• Painting technique on canvas
• Geneva/Porto do Boi indigenous reserve
• 2022
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Christina Oiticica/Txatxu Pataxo
NAÕ /SER ENCANTADO/ THE ENCANTED BEING I


• 100x100 cm
• Painting technique on canvas
• Geneva/Porto do Boi indigenous reserve
• 2022
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Christina Oiticica/Txatxu Pataxo
NAÕ /SER ENCANTADO/ THE ENCANTED BEING II


• 100x100 cm
• Painting technique on canvas
• Geneva/Porto do Boi indigenous reserve
• 2022
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Christina Oiticica/Txatxu Pataxo
NAÕ /SER ENCANTADO/ THE ENCANTED BEING III


• 100x100 cm
• Painting technique on canvas
• Geneva/Porto do Boi indigenous reserve
• 2022
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Christina Oiticica
HEART OF THE FOREST


• 59x45 cm
• Painting technique on canvas
• Amazonia
• 2005
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Christina Oiticica
KATUKINAS


• 38x38cm
• Painting technique on canvas
• Amazonia
• 2005
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Christina Oiticica
VOICE OF THE AMAZON


• 49x40 cm
• Painting technique on canvas
• Amazonia
• 2005
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DICHOTOMIE
Christina Oiticica · Txatxu Pataxó · Sergio Zalis
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DICHOTOMIE
Christina Oiticica · Txatxu Pataxó · Sergio Zalis
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DICHOTOMIE
Christina Oiticica · Txatxu Pataxó · Sergio Zalis
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CAU BEZERRA PRANACURA
LEO BARRETO PHOTO
ALEXANDRE FERNANDES
SULA DANOWSKI
ARTMOTIV
FRANJO STUDIO
KARINA ADES



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Dans l’exposition Dichotomie, les univers s’entrelacent. Trois artistes — trois voix — trois territoires sensibles. Sur des supports différents, mais unis par une même pulsation : le dialogue entre les contraires qui se touchent, se défient et se complètent.


Christina Oiticica, née à Rio de Janeiro et résidant à Genève, nous guide à travers un rituel de création qui est aussi une offrande. Son art terrestre naît du geste : des explosions de couleurs sur la toile, confiée ensuite à Mère Nature. Pendant neuf lunes, ses œuvres reposent entre les éléments — la terre, l’eau, le sel et l’air. Un cycle de don et de réception, de naissance et de déclin, de création et de dissolution, de semailles et de récolte. Ici, l’art respire avec le monde.


À ses côtés, Txatxu Pataxó — né sous l’ombre protectrice du Gameleira Sacré, dans la Réserve indigène de Porto do Boi à Caraíva — fait surgir une ancestralité vivante. Ensemble, ils invoquent des esprits en forme d’animaux — mammifères, reptiles, insectes, amphibiens — ornés de la peinture corporelle traditionnelle Pataxó. Dans une communion sacrée, ces toiles ont été enterrées à l’ombre de l’arbre-mère, permettant au temps, au sol et aux racines de leur offrir une nouvelle peau. Et alors, l’invisible se manifeste : la force tellurique transforme la toile en témoin de la terre, révélant une œuvre qui palpite de mémoire, de mystère et de présence.


Sergio Zalis — né à Buenos Aires, Brésilien de cœur et Néerlandais de passion — explore à son tour la dualité des jardins : l’exubérant Jardin Botanique de Rio de Janeiro et la forêt enchantée Scheveningse Bosjes à La Haye. Par la technique du focus stacking, il compose une réalité augmentée — des fragments de netteté superposés en une seule image — plus précise que l’instant lui-même. Et l’on se demande : est-ce la photographie qui dépasse la nature, ou la nature qui se réinvente sous son regard ?


Les animaux enchantés de Christina, les esprits forestiers de Txatxu, les végétations impossibles sous l’objectif de Zalis — tous font partie d’un même tout. Des fragments qui se confrontent, cohabitent et se complètent.


Dichotomie est le lieu où les contraires se rencontrent et s’harmonisent.


Marcelo Mendonça
Curateur
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In the exhibition Dichotomie, universes intertwine. Three artists — three voices — three sensitive territories. Working on different platforms, yet united by a shared pulse: the dialogue between opposites that touch, confront, and complete one another.


Christina Oiticica, born in Rio de Janeiro and residing in Geneva, leads us through a ritual of creation that is also an offering. Her Land Art is born of gesture: a burst of colors on the canvas, which is then entrusted to Mother Nature. For nine moons, her paintings rest among the elements — earth, water, salt, and air. It is a cycle of giving and receiving, of birth and decay, of creation and dissolution, of sowing and harvesting. Here, art breathes with the world.


Alongside her, Txatxu Pataxó — born under the shelter of the Sacred Gameleira tree in the Porto do Boi Indigenous Reserve in Caraíva — brings forth a living ancestry. Together, they summon spirits in animal form — mammals, reptiles, insects, amphibians — adorned with traditional Pataxó body painting. In a sacred communion, these canvases were buried under the shade of the mother tree, allowing time, soil, and roots to gift them a new skin. And then, the invisible emerges: the telluric force transforms the fabric into a witness of the earth, revealing art that pulses with memory, mystery, and presence.


Sergio Zalis — born in Buenos Aires, Brazilian at heart and Dutch by passion — explores the duality of gardens through his lens: the lush Botanical Garden of Rio de Janeiro and the enchanted Scheveningse Bosjes forest in The Hague. Through the technique of focus stacking, he constructs an expanded reality — fragments of sharpness layered into a single image — more precise than the instant itself. And we are left wondering: is it photography that transcends nature, or nature that reinvents itself through his gaze?


Christina’s enchanted animals, Txatxu’s forest spirits, and Zalis’ impossible vegetations — all are parts of a single whole. Fragments that challenge, coexist, and complement one another.


Dichotomie is the space where opposites meet and complete each other.


Marcelo Mendonça
Curator
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Na mostra Dichotomie, universos se entrelaçam. Três artistas — três vozes — três territórios sensíveis. Em plataformas distintas, mas unidos por uma mesma pulsação: o diálogo entre opostos que se tocam, que se enfrentam, que se completam.


Christina Oiticica, nascida no Rio de Janeiro e residente em Genebra, nos conduz a um ritual de criação que é também oferenda. Sua Land-Art nasce do gesto: cores em explosão sobre a tela, que é então confiada à mãe natureza. Suas telas por nove luas, repousa entre elementos: terra, água, sal e ar. É um ciclo de dar e receber, de nascer e perecer, de criação e dissolução, de semeadura e colheita. A arte, aqui, respira com o mundo.


Com ela, Txatxu Pataxó, nascido sob o abrigo da Gameleira Sagrada, na Reserva Porto do Boi em Caraíva, traz à superfície uma ancestralidade viva. Juntos, invocam espíritos em forma de bichos — mamíferos, répteis, insetos, anfíbios — adornados com a pintura corporal tradicional Pataxó. Em comunhão sagrada, essas telas foram enterradas à sombra da árvore-mãe, para que o tempo, o solo e as raízes lhes conferissem uma nova pele. E então, o invisível se manifesta: a força telúrica transforma o tecido em testemunha da terra, revelando uma arte que pulsa com memória, com mistério, com presença.


Sergio Zalis, nascido em Buenos Aires, brasileiro de coração e holandês de paixão, por sua vez, percorre com o olhar a dualidade dos jardins: o exuberante Jardim Botânico do Rio de Janeiro e o bosque encantado Scheveningse Bosjes de Haia. Através da técnica do focus stacking, constrói uma realidade ampliada — fragmentos de nitidez somados em uma imagem só — mais precisa que o próprio instante. E nos resta a dúvida: é a fotografia que ultrapassa a natureza, ou a natureza que se reinventa sob seu olhar?


Animais encantados por Christina, espíritos das matas evocados por Txatxu, e vegetações impossíveis sob a lente de Zalis — todos são partes de um mesmo todo. Fragmentos que se desafiam, convivem, se complementam.


Dichotomie é o espaço onde os opostos se encontram e se complementam.


Marcelo Mendonça
Curador
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STUDIO LUPA
STAFF KOSPOR
JOSE FERREIRA PEINTRE
LAKOR ELETRICITE
DECORA
CELCIUS
EVOLUTIONPUB
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ARTISTES :
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## Tour ### Description ### Title tour.name = Espace des Arts